Founding Frame
The Story Behind the Art
“This Is The Place,” shouted Zebulon Hockett in 1848 to anyone seeking a better life. Zeb and his wife, Mary, were barely planted here themselves. They arrived in Indianola aboard a groaning canvas-topped wagon pulled by a yoke of oxen. The couple established the first general store and built the first frame house on what would become Indianola’s downtown square.
But Indianola didn’t even exist then. It was a year later that Paris P Henderson, Warren County’s organizing sheriff, came to town with a team, looking for 80 acres to create a seat of justice for the emerging county.
Paris had a sandwich with him, wrapped in a newspaper. When the group stopped for lunch and he unwrapped his sandwich he read an article about Indianola, Texas. He shared the name and the group agreed it would be well-suited for the town that would be the county seat of the new county.
John M Laverty, another early settler, was hired to survey and plat the town. He created “original Indianola” — with an octagon-shaped public square at the center and 24 blocks radiating outward with each block divided into 24 lots that ranged in sale price from $5 to $20.
From this small beginning and following a bountiful harvest, a steady stream of immigrants arrived. In these times, the sturdier, better outfitted and more adventurous traveled to distant places for supplies, milling grain and retrieving mail, leaving behind their feeble and more dependent to keep hearth, home and the livestock safe in what was still a wild, wooly and raw place.
Framing the beginning of Warren County and Indianola required boldness, cleverness and a touch of bodacious brassiness, and lots of hard work. But it framed its founding settlers with a sense of belonging and community that continues today.
From the Artist
Joe Tuggle Lacina
Founding Frame, Steel and Concrete, 60” x 60” x 72”, 2024
Each side of the sculpture includes an important year for this area: 1846 refers to the founding of Warren County and 1849 refers to the founding of the city of Indianola. This is the flagship piece of the Wonder on Buxton series and the first to be installed. The sculpture functions as a tangible frame or square that encapsulates the evolving context of this specific site and place. It highlights the ongoing changes and developments occurring in the present while also pointing toward future transformations. This framing device allows viewers to better understand and appreciate the dynamic nature of the location as it transitions through time. While designing and constructing the piece, I came to see the piece as a portal or gate that has opened and will now allow the other pieces to move into place. What follows is a list of concepts to consider while viewing the piece: 1846, 1849, what happened then, a border, a boundary, a compartment, a partition, a viewpoint, an aperture, a way.